Maybe I have written all this because I’m jealous of the book. Maybe Roberto Schmitt-Prym deeds are just envy of Photography. They are paste-ups that investigate texture and vision by details reworking, movements encumbering. It incorporates finger prints onto the landscapes, as if the finger curls with the magnificence of a human iris. We see churches, museums, public buildings. There that is a chromatic witness interference which transforms the image into a spectre, a ghost demanding attention.

            “Scenary of Memory” represents a seismic register of our own emotions. It captures the sequence of dreams between one photo and another. Or maybe it captures observer’s frame of mind. Its colors, blue and gray, point out coldness whereas yellow and red indicate warmness. Its perspective is drawing-like; its speed is shadow-like.

            Schmitt-Prym has envy. He has a desecrated envy which burns our eyes, so that our vision can be defenseless.

            Fabricio Carpinejar, writer.

Translation: Andrea Mariz